Bernadette Peters in Concert - Review by Carol Moore
My Saturday night was absolutely fabulous! Thanks to my friend Al Bresloff, I got to see Bernadette Peters in concert at the Paramount Theatre, Aurora.
"Volta" - Review by Carol Moore
Highly Recommended **** Cirque du Soleil’s “Volta” is a little different from their previous shows. While the musical themes and colorful costumes are typical Cirque, “Volta” has a more urban flavor, with hip hop, double Dutch, street acts, bikes and motorcycles. For those coming from northwest Indiana, the new location in the Soldier Field parking lot is definitely more convenient. 4 Spotlights
Chicago Tap Theatre's "Saving the World" - Review by Carol Moore
**** Recommended **** Chicago Tap Theatre’s newest tap opera, “Saving the World” is creative, contemporary and kind of political, which figures, since it’s written and narrated by International Poetry Slam founder, Marc Kelly Smith. Choreographer Mark Yonally’s ingenious choreography uses tap shoes to tell Smith’s story the ultimate triumph of a young woman who cared over a smiling multi-millionaire. 3 ½ Spotlights
Arts on the Table by Carol Moore
Not too long ago, I got an email invitation to something called “Arts on the Table: You Talk, We Listen”. Come have a light lunch and talk about how the arts fit into your life. There was a session for South Shore Arts and one for the Northwest Indiana Symphony. Hmm, I thought, sounds interesting, so I sent in my RSVP.
Hubbard Street Dance's "Summer Series" - Review by Karen Karcher
**** Highly Recommended **** As a long-time fan of Hubbard Street Dance, I try to see every series, and I have never been disappointed. The artistry, strength and grace that the dancers bring to the choreography is world-class, the choreographers are inventive and original, and lighting, sound and costume always complement and enhance the work. At the beginning, I always marvel that humans can achieve such feats of athleticism and discipline of their bodies and minds. But tonight's performance was truly breath-taking.
"West Side Story" - Review by Jeffrey Leibham
****HIGHLY RECOMMENDED**** If you have never seen "West Side Story" on stage before, the current production at Lyric Opera of Chicago, part of their Broadway at Lyric series, may just be the most definitive version of this beloved musical that's available and you are highly encouraged to seek it out. Conversely, if you feel that you have seen this show too many times before, well, you have never seen it like this. Get your tickets now or you will be missing out on a unique opportunity to see it on such a grand scale. Regardless of your history with this show, Francesca Zambello's production of "West Side Story" is stellar for three very distinct reasons. 4 BIG SPOTLIGHTS
The Joffrey Ballet's "Across the Pond" is Exquisite, Exhilarating and Explosive - by Carol Moore
**** Highly Recommended **** When I was a child, I was positive I’d be a prima ballerina one day. The fact that I never had a ballet lesson was irrelevant. Alas, I grew up, and pursued another dream, becoming a writer. I still love ballet, and feel very privileged to be able to write about the Joffrey Ballet. Their spring engagement, “Across the Pond”, three contemporary pieces by three of the United Kingdom’s best choreographers, is absolutely brilliant. Again, the incredibly talented Joffrey dancers execute the most complicated choreography with flawless technique and timing. 4 Spotlights
Debra Silvert's Antique Crystal Flute
In her quest for new audiences, Debra Silvert has a secret weapon, her crystal flute! She says she’s found that it’s a draw. “People will come out for one of our (Duo Sequenza) concerts when they hear about the crystal flute. Once we have them, we expose them to the rest of what we’re doing.”
Project Listen Up
Chamber music will be popping up in unusual locations across Northwest Indiana during the month of March. Project Listen Up, the brainchild of Valparaiso resident, Debra Silvert, is an interactive concert experience which will pull classical music out of the concert hall and take it to the places people hang out.
Chicago Opera Theater's "Moby Dick" - Review by Jeffrey Leibham
****HIGHLY RECOMMENDED**** Tough, rare and bloody. These three words are used by the crew members of the ship, The Pequod, to describe the act of killing and subsequently butchering a shark or a whale and the quality of its flesh. It could also be used to define the mettle that was required to be a harpooner on just such a whaling vessel, or the peerless few who could sustain the occupational hazards. But, most aptly, those three words encapsulate Chicago Opera Theater's Chicago premiere of "Moby-Dick." Tough to take Hermann Melville's 1851 sweeping epic and distill it into as gripping and poignant of a libretto as Gene Scheer has miraculously done. Rare to hear a more hauntingly beautiful and stylistically varied score in a contemporary opera than what Jake Heggie composed for this 2010 work which has already been deemed a masterpiece. Bloody? Well, let's just say that this entire production is a bloody brilliant success. The only drawback to this is that far too many people will miss the opportunity to get a chance to see it. Following last evening's opening there is only one remaining performance to experience this essential, very American classic. 4 BIG SPOTLIGHTS